It is finished at last!!!! I have loved this plate from ‘Harper’s Bazaar’ for years, and planned to make the jacket almost 2 years ago – now am happy to say that it is complete (well, almost…) I got the … Continue reading
Welcome to another of our tutorials aimed at the folk getting their gear ready for the Victorian Ball. In this one I am going to provide a step by step guide on how to make the iconic round crinoline cage, perfect … Continue reading
In the previous tutorial we dealt with undergarments (drawers, chemise and a petticoat), and the crinoline cage is explained here). So, it is now time to tackle the gown itself! Again, since this series is mostly dedicated to the guests of … Continue reading
Since our next Victorian Ball has a Crinoline theme, I have promised a few tutorials and pattern reviews for the folks who are making their own kit. Sew Curvy joined the fun and now offers very attractively priced patterns and crinoline kits from the era ( just a few left in stock…), so I took advantage of the offer and grabbed a few patterns too.
Normally I don’t bother with commercial patterns much, underwear included as I draft my own, and for Victorian Era the patterns in Francis Grimble’s books are of a great help – so this was a bit of an adventure, trying to actually follow instructions. Which I did, to some extent… 😉 And so, below, a short tutorial on making a set of mid-victorian open drawers, a chemise and a petticoat.
Fabrics: cotton lawn (but any lightweight cotton or linen will do) and cotton lace, 3 buttons.
Finish – I went for modern finish as was squeezing the project in between commissions and stock-making, but it doesnt mean that you have to follow me and use the same techniques – if you have time, do go for a hand finish 🙂
1. find your size on the chart, trace the pattern. I traced it onto paper once, so that I dont have to cut the pattern itself.
2. trace the pattern onto the fabric – fold the lawn in half and you will only have to cut once!
3. once cut, I overlocked the side seams and the facing for the size. I decided to save time and forego front and back facings – not really needed, though they would give a nicer finish! Instead of a self ruffle I used cotton broderie anglaise lace.
4. Follow the directions for working the side openings/facings – they are explained fairly clrealy.
5. Fold the overlocked edges of the crotch opening (or follow instructions for facings there)
6. Gather the legs and top – I gathered mine using a ruffle attachment, but you can pleat or gather on a string, too (lower the thread tension, use the long stitch setting and sew – then just pull the thread to gather)
7. Gather the ruffle – again, several methods are possible, I gathered mine on an overlocker
8. Sew each leg
9. Prepare the leg bands and attach lace to them – the instructions are quite clear about how to do it.
10. Attach the waistbands – again, the instructions are clear!
11. Make buttonholes and attach buttons. Fot this project I used buttons from my secret stash of antique buttons 🙂
Ready! it took me just over 2 hours to complete the project – it would be about 3 – 4 if I wasn’t using an overlocker.
- Trace and cut the pattern according to your size (again, I found it runs a tad too big for my liking – but it is not a huge issue at all – and it is always easier to end up with a chemise an inch or two too big rather than one too small!)
2. Overlock the sides and sew together; (or sew the sides together and finish the seam by hand if you prefer.)
3. Add the shouler strap reinforcement bits. I admit the instructions here were not too clear so I did it my way… I supose as long as the edges are strong enough for a button, etc, that is all that matters
4.Overlock the sleeve (or hand finish) and attach to the armhole. You will need to gather a bit; I did it as I sewed.
5. Prepare the neckline and hem edge (overlock and fold, or hand stitch – up to you)
6. Add lace – I used a narrow broderie anglaise, as I had enough to use on the sleeves, neck and hem!
7. Add buttons and work buttonholes
The chemise is now ready!
I have also made another version of the chemise, too – the same pattern, just with no sleeves, and no buttoned-up staps – I simply sewed the straps together instead. The neckline is finished with an eyelet lace with the ribbon, which controls the neckline as it can be pulled tighter, if needs be.
Next stage was to put one of my corsets on (a suitable corset kit can be bought here: corset kit – the pattern is later but the style works for mid-victorian silhouette and is much easier to make – I have made a mid-victorian corset using a commercial pattern and it wasn’t exactly a success – you can read about it here).
All we need now is a petticoat.
Petticoats are very easy to make – so easy that there is little point in providing an actual pattern. Even ‘Truly Victorian’ provides a diagram and instructions for free – petticoat instructions
I basically used a length of cotton sheeting – a rectangular piece. The length was the circumference of the crinoline cage plus 1m, the lengh – measured on the crinoline, from waist to the ground. If you do not plan flounces, pintucks etc, but a basic one, keep it a bit above the ground. If you want lots of pintucks, make it longer.
This particular one has been made with 5 rows of big pintucks
a few tips:
- dont wast time measuring and cutton your cotton. i usually just ,ark how long i want the piece to be , nicj the fabric and simply tear it. it tears easily and along the grain, you you have a straight line with no hassle. disadvantage – you will get a few hanging thread to deal with. I use the same metod for cutting the flounce
- pintucks – for small, decorarice pintucks you see on chemises etc, I use a seam gauge and a pintuck foot etc – the detail is important. for the petticoats however, where i want my pintucks bigger, and where it doent matter too much if the pintuck is 2mm longer at one side, I save time by not marking them at all – i simply use my finger as a gauge.
(A short video of how to make them fast using your finger as a gauge can be found on my instagram account. ( here)
I also opted for a flounce, also with pintucks and lace 🙂
Once the pintucks and the flounce were on, I simply gathered the wasit (there will be lots of fabric to gather – about 4.5-5m) using the ruffler attachment
Then attach the waistband, buttons, etc, and you are done!
If you are wondering why pintucks and flounces instead of a simple petticoat, well, they do have a function! PIntucks were used a lot on children’s clothing – as they grew up, the tucks were released and garment lengthened, here however the tucks are not only a decorative feature, but a practical one – they hide the shape of the cage and they stiffen the edge a bit more, hanging better; the flounce has the same function – this fills in the empty space between the cage’s end and the ground, preventing the ‘lampshade effect 🙂
There are a few beautiful petticoats still surving – you can fing some on my pinterest page
Now you are ready for a skirt and a bodice – or a gown. I have already written a post on a day dress – here.
I hope you found this little tutorial useful, the tutorial on how to make a gow bodice and skirt is here
Oh, and if you dont sew, dont worry,:-) chemises, petticoats, corsets and whole outfirs are now available in our online shop ! There are already a couple of nice dresses and a few petticoats there, more undergarments will be added shortly
And a few outtakes:-) i knew the chamber put would come in useful!
This one was a very exciting commission – a friend who often works as Queen Vic needed a new corset.. and a new bodice and a train to go with the skirt she already had.
After a session of looking at different portraits and photographs of the Queen, with Eve pointing out which features she’d like to include in her bodice or train, we got some sketching done…
Fabric was next – and here we were lucky as got a length of beautiful silk brocade from Quartermasterie – all that i need to grab was silk taffeta for lining and pleats and some lace and buttons….
The corsets was made first – and it is a rather jazzy affair, so wont be shown here to preserve the dignity of the monarch, but i bet now a few people who’d meet Eve at work would be wondering what lingerie secrets her clothes hide ;-0
Bodice was a lovely blend of the 1880ties and earlier fashions – sporting a version of pagoda sleeves, apparently quite a favourite of the queen. we also added detachable under sleeves, for colder days .
The lace was simply lush, though applying it took some time, and the underside of the pagoda sleeves was also trimmed with lace, a more modest version.
The train was just fun. The construction was simple – a slightly shaped rectangular fabric, plasted and with tapes and buttons to allow the wearer to bustle to up if needs be. But it was recreatingthe pleated trim from one of the original photos that was interesting….
The train has a baleyeuse ( the dust ruffle) made of black cotton lace buttoned up – they were a truly delightful frilly affairs that made life so much easier – you wash only the ruffle as your skirts are protected.
The pick up day was also a shoot day as we offered Eve a mini session – the results below! Hope you like the final result:-)
Eve’s page is here – enjoy browsing! Queen Victoria
Amazing memories from the evening – and not only evening, the whole weekend was a whirl of activities, pretty frocks and splendid food, all in even more splendid company!
We started on Saturday afternoon arriving in Bath a tad later than expected ( the traffic on the slip road was very bad and many of us were stuck there – in fact, so many that we were considering a picnic on the roadside….), but unpacked, changed and walked over to the Crescent for a few relaxing hours of picnicking…. The weather was perfect, food lovely, and as a perk we got to witness the balloon take off…. and of course we took photos….
The next day saw us making last minute preparations, strolling around the town and slowly getting ready,,,
The workshop started at 3 – and we practiced our quadrilles, lancers and waltzes for good 90 minutes – the practice was fun, but also cane in handy at the ball – you not only know the basics of the dances, but you recognize the people, so you are able to relax in a more familiar environment. our Dance master, Stuart Marsden, kindly provided Carnet de Ball tickets – beautifully made, and very practical – at the end of the practice people were making arrangements which dances they were to dance with who – really cuts on the chaos on finding a partner in the evening!
We will be using them next year as well, an excellent idea!.
After the practice there was time to go and have a cuppa and a rest ( and for us organizers to get the photographers, musicians etc set up and ready), and then time to change into the evening’s finery….
Then it was time! The doors opened at & and the guests started to arrive, dazzling us with their lovely creations. Drinks, chatting and photos made for a relaxed atmosphere – and since almost all the ball participants had been at the practice, people relaxed and chatted with their old and new dance partners. Traditionally, we started with a polonaise… It was a bit crowded, once all the people filled the Grand Ballroom, but Stuart managed to direct the dance nicely ! And from then on, it was all dancing….. Spanish waltz was great to get everybody relaxed as you change partners a lot and get to know people, and then it was the amazing Lancers, Quadrilles and Waltzes galore…. My personal favourite was the Cotillion waltz – simple, yet amazingly romantic, danced the the sweet notes of the waltz from the Merry Widow. Dimmed lights, romantic music, swaying on the dance floor in flowing silky gown – breathtaking. The buffet break arrived just in time to rest our weary feet and get some sustenance for more dancing. And food, provided by Searcy’s was glorious – beautifully presented, abundant ( and there was lots left!) and yummy – I must admit loved the desserts particularly… Then more dancing followed – with a few spontaneous waltzing breaks when folks just kicked their shoes off and took to whirling Viennese waltz at a moment notice ( our own Sissy here was the main culprit – though quite a lot removed their shoes at that point, myself included…). The evening ended with a Flirtation finale – lots of fun! And all that fun was mostly due to the utterly amazing musicians – Alexis Bennett and the Liberty Belles, and our talented Dance Master, Stuart Marsden ( yes, the same one who has worked with BBC on Poldark, and many other projects…). The event would not have been the success it was without theses guys – so a huge thank you! And while all the dancing was taking place, our photographers, Mockford Photography, were busy taking photos…. And did I not mention that there were some spectacular frocks and very dashing gentlemen around?
Needless to say, by the end of it I could hardly walk ( need better shoes for next year….). but somehow I made it to the hotel, and although exhausted, I was still buzzing with the excitement – the night was so much better than I had hoped for! there was just enough time to have a mini after party for the staff ( amazing how many people you can squeeze into a single Travelodge bedroom) and then it was time for sleep. And about 4 hours later we were up again and getting ready for our breakfast at the Pump Rooms….. The yummy breakfast ( and live music too!) was followed bu a short wander around town and some photos…. Then it was time to go home and tend the very sore feet…. Altogether, I must say the event fr surpassed my expectations. Music was delightful, fool glorious, venue splendid and the people – well, let me just say that you were all such a friendly and polite bunch of folks! Everybody was relaxed and yet on their best behaviour – and that makes such a difference! it was also a good call to go for historical rather than an eclectic affair like the previous one – since most of the dances were called, the dance floor was always busy, only clearing up a bit at the end, as the pure exhaustion took over ( it was quite an exercise , especially the few more energetic dances…). So thank you all, staff and guests alike for making it such a wonderful occasion! Also, many thanks to all the people who sent their photos:-) And, guess what – we are having another Ball next year! The venue and caterers have already been booked and the tickets are on sale ( early bird prices valid till September), so put the date in your diary – 7th May. We have the same set of musicians and Stuart booked too – and next year we have an optional dress sub theme – Crinoline. We are already working on different offers for the ticket holders ( discounted rates from dressmakers and product suppliers, or, for those who make stuff themselves, special offers on corset, crinoline and Victorian patterns and kits from one of our providers too). You can follow the news on the facebook pages:
The event per se – Victorian Ball 2016
Page : Prior Attire Victorian Ball
Tickets and more info here – Victorian ball tickets
and the previous ball Spectacular!
Over the years I have been asked about a variety of problems within historical costuming – and how to avoid them. I have already written a few posts on different aspects such as the look, fabrics, etc – but here … Continue reading
We have recently been doing a few habits, so I thought I put a post about them together:-)
Over the winter I have been working on a bespoke one – based on my 1885 version , but in luscious bottle green superfine wool, with burgundy braid decoration. The colour combination worked very well and suited the client’s colouring ( and the horse’s ) well – and we were lucky enough to grab a few photos when we delivered the habit to sunny Devon.
Another bespoke habit for another client is happening too, I will post the photos as soon as the work is finished and we get some pictures.
In the meantime, let me introduce to our latest batch – somehow earlier habits, destined to become stock items.
It all happened as I was working on a certain secret project ( details soon)- we had a horse booked for a side saddle at Historic Equitation, and the day before I found myself ending the commission work earlier that expected – so had a few hours free, and 6 metres of some rather lovely green cloth…. the temptation was too much! I went for the simplest look I could think of: no decoration, purely utilitarian, roughly 1860 look -with big skirts and plain, short bodice – based on this look.
The cloth was fantastic – it draped beautifully. W e used the habit for the shoot and for some riding, and had a short photoshoot at home too – with and without petticoat ( period solution as either corded petticoat or turkish trousers in the same fabric ( so that when the skirt billowed at speed while riding, the legs would be modestly covered). As you can see, the skirts are very long to cover the legs, and although they look lovely when mounted, they are a bit of a pain while walking. Ladies either carried the skirts, flashing the petticoat, or used buttons t o hitch them up – as shown on this fashion plate from La Mode Illustree
btw, lots of more images on my Pinterest board
I was wearing a corset, white blouse and a velvet ribbon neckband,styled my hair and restyled my top hat a bit to achieve the look:-)
Once we were done with shooting, I shared the photos and put the habit in our online shop – and was flooded with likes, shared, questions etc – and the habit sold within 12 hours, surely a record! not only that, there is now a queue of side saddle ladies awaiting news whether it fits the lady who bought it – just in case she returns it….
As a business minded person, I just couldn’t ignore this situation – and since had a bank holiday looming ahead ( which I had hoped to leave free to rest – silly me…), I decided to act on it. Luckily I was picking some cloth for commissions from my wool merchant, and while at it, I picked a few lengths suitable for habits…
A very busy time with a sewing machine followed – and I just managed to get 2 habits done for another scheduled side saddle session – this time with lovely Jane on her Zara at a very well kept Wakes Manor Livery Yard
I experimented with a slightly later look for these two – the first one was based on a fashion plate from Harper’s Bazar, 1873 ( the sitting lady)
I used the lovely soft dove grey cloth, edged with black and decorated with velvet ribbon.
Work in progress…
The habit is now available in our online shop, at a discounted price -details here
The second habit was based on this one from the MET
I liked the edge treatment and tried to emulate – I used piping and topstitching combination
and it fitted me well – really like the look!
Then it was Jane’s turn – it fitted her well too – and kudos to Jane who wore a corset for the first time – and not only wore it, but rode and jumped in it too ( part of a secret video project I am currently working on..)
and yes, there is a corset underneath all that!
This habit is also available in the shop – Here
I have enjoyed making these – and now have plans over summer to work on a few more models in a few sizes options – I already have nice berry coloured cloth and dark green twill put aside for the purpose:-). Although they are stock items, each habit will be a little bit different, so that each is unique – nothing worse than going into the Historical class and finding another lady wearing the same model! And of course if you want something special there is the bespoke option with fittings ( and a different price bracket too….)
Many thanks to all involved in the project so far – greatly appreciated! And a big thank you to the photographer – images courtesy of Pitcheresque Imagery
I have done a lot of earlier Victorian (1876-86), but i have not really ventured into the 90ties ( though I did make a 1895 Ripple jacket for my Christmas outfit last year), so the Belle Epoche ideas had been brewing awhile here…
and then, a few moths ago, I saw this on Pinterest
I mean – huge skirt ridiculous lapels, mega-sleeves, a very ugly hat – how can you not love it!? I immediately pinned it onto my 1890ties board and started planning…
It was a longer project i planned to do more or less over the Christmas break here – I don’t celebrate it, but many of my clients do, so there is a bit of a free time to carve for my own projects there:-) I wanted to make as many bits as I could in the gaps before the commissions and hopefully shoot it with a wintry landscape, should we be so lucky as to get any snow here.
starting ith the foundations..
I already had a corset cut to a Symingotn pattern ( patterned by Cathy Hay) – I made it for my wedding 3 years ago, when I was just starting my corsetry adventure, and so it doesn’t fit particularly well ( the back laces form () at the back, never a good sign.. ) Still, it survived 3 years of extensive use, and it looks nice and is very , very comfy…
Since I now had an excuse to make a new one, i set down to work. I redrafted the same patter to fit me better, and this time made it a one layer affair in a lovely mink coutil from Sew Curvy. I also decided on external bone channels – and you can see the details on construction in the little video I put together – Here.
The blue flossing and external tape worked well with the mink colour and I put some antique lace at the top too.
It fits nicely and is comfy, and once it is properly seasoned ( worn for a bit, so that it adjusts to my body) i bet it will close in the back. Both corsets are 27″ waist.
The petticoat was easy – I used my old antique one:-)
To get the proper width of the hem, an underskirt was often worn too – there are a few existing ones , and whereas some are made in cotton, there are a few made in silks, with rather nice lace – a very elegant affairs!
I hunted out some nice lace on etsy and used leftover silk from my Regency gown
I used up 12 metres of that lace… all gathered and sewed in two tiers – to the hem and to the flounce
The skirt was next. I used a Truly Victorian Pattern for the Ripple skirt and it worked a treat! I made mine in boucle wool, with stiff cotton lining.
The blouse – well, in this instance i ran out of time a bit and used a blouse I found on ebay, from Cotton Lane. Thy make pretty neat shirtwaists, that are not too different in construction from the proper stuff – and as I dislike sewing shirts etc, I simply plan to alter this one – I will remove the sleeves, cut out the pin tucked panel and the cuffs and sew them onto a proper, leg of mutton style sleeves in the same cotton. I will need to re-insert the collar too, to fit my neck better, but altogether I think it should pass muster – will update this post once it is done ( february, as want to wear it for the next market! )
And then it was time to think about the coat….
I wanted to make it in green wool and line with cotton. When I went wool shopping i was irrevocably drawn to the wool I used for mu 1876 February dress – lovely , napped fabric, soft and warm. I couldn’t say no…
The lining was a rather pricey cotton flanelett – light, but soft, with a slight nap, to keep me war,
Other ingredients included rabbit fur, linen interlining for the lapels and collar, tape for channels and lovely buttons made by Gina B.
Looking at many original coats and patterns from the era, it is easy to notice that the coats dould me made either with bodice and skirts cut separately or together. I decided on the former – and adapted a pattern for the skirts from one of the coats shown in this book – 59 Authentic turn of the century patterns
The bodice getting ready… I adapted a pattern of my old Victorian bodice and played with a mock up untill I had the correct shape of the lapels… took a few goes…
The ‘sleeves of doom’ were quite a challenge. I found a pattern for the sleeves in the same book and played with them – they consisted of a normal sleeve, lined, and a puff . the sleeves are cut on the bias, to achieve the fitted forearm, and the puff is interlined and stiffened with layers of net…
But the net and pleating wasn’t enough to achieve the desired look. shoulder supports were needed.
I found a few pictures of them, and in the end settled on the wire and tape ones. they go inside the puff, and are tapes are sewn onto the undersleeve.
I must admit that try as I might, the pleated effect seen on the original escaped me ( I almost got there with cartridge pleating but realised in the end that i would have to have more fabric – and a different shoulder support, possibly with the wired running in the other direction, so that the pleats fill in between… just a theory.
Still the sleeves did work out quite well…
time to attach the skirt to the bodice… the bodice was boned on every seam and has a waiststay as well.
Thebuttons were next – they are decorative items, as the coat closed with hooks and eyes under the fur trim:-)
The hat was simply an adapted hat from my 1876 frock – i simply drew the line at making an ugly hat and decided to temporarily re-arrange an existing one – and since the brim was wired, it was easy to shape it differently, add feathers and a bow:-)
On the day we used a new backdrop for some of the pictures ( no snow here, alas) for a cheesy Victorian postcard look, with the props being a few things we picked up on ebay – antique sledge and skates 🙂
it was time to get dressed – and I realised a bit of a mistake as soon as i put the coat on – the skirts were voluminous and heavy, squashing the shape of the Ripple skirt, and dragging on the floor 😦 so that’s another thing I will need to sort out before a proper outing – cutting the hem short and probably adding a bit more stiffening to it too, to help it flare out.
Apart from that I am very happy how it all turned out – and hope we will see some proper snow at some point to take better pictures!
as it is – the results below:-)
The cost.. ouch…
corset – materials and labour – approximately £300,
underskirt – lace – £90, silk £30, labour £90 – £210
ripple skirt – fabrics – £50, labour – £150 – £200
coat – fabrics and notions – £100, labour £300
cheap blouse – £35 😉
total – approx £1000….. plus the hat…
Altogether it was not the most expensive but not the cheapest set either – but it is comfortable, stylish and more or less practical ( once you get used to the enormous sleeves) so I will be wearing it quite a lot for the markets etc, I think:-)
And yes, I do love the sleeves… Power dressing!!!! 🙂 hope you like it too 🙂
usual credits – Dressmaking – Prior Attire
photography – Pitcheresque Imagery
corsetry supplies – Sew Curvy
Buttons – Gina B Silkworks,
Wool – Bernie the Bolt
cotton lining, notions – Tudor Rose Patchwork
Fur – GH Leathers
It is always a pleasure to make clothing for friends – and even more so if it is the wedding dress they are after! And since apart from he historical bits ( Prior Attire) we also provide bridal gowns ( Prior Engagement) it was a pleasure to be asked:-)
We have known Sophie and Chris for several years as we tend to attend the same events – they are accomplished musicians and provide music from medieval to modern times ( Blast from The Past). indeed, they were also our musicians of choice when we organized the Spectacular! Spectacular !ball ). Over the years we have become good friends – and it was with joy that I agreed to making Sophie’s wedding dress.
Sophie was no stranger to our bridal fashions – indeed you will see her modelling a part of our Winter Bride collection back in 2013
The first stages was agreeing on the styling, foundations etc. Sophie created a secret Pinterest board where she pinned her inspirations and we discussed the choices. in the end we ended up with a simple and yet surprisingly elegant design. Based on late Victorian fashions, the dress was basically an evening outfit from the late 1890 – a simple bodice and a flowing skirt, both decorated with elaborate lace.
Since Victorian fashions need a corset, a corset was the first to be created…. here at the fitting stage – we decided on a white sateen, with a gentle blue flossing. The corset needed to be providing the correct silhouette ( the whole dress may serve Sophie as an evening Victorian gown in the years to come, perfect for her work – concerts etc), but be comfortable enough so that she can stay in it all day, dance eat and enjoy the day.
a modified TV01 pattern was used, white sateen, busk, flat and spiral steels from Sew Curvy
Over that a bodice in champagne satin was assembled ( lined with cotton lawn and lightly boned), with a back lacing and a rather stunning lace going over the neck and shoulders
The skirt of the silk satin and lawn lining was next – here at the first fitting, with lace pinned up. It as worn over a lacy and fluffy petticoat – an original one I lent Sophie for the wedding.
the lace was arranged and pinned over the bodice at the last fitting
and then it was down to hours of stitching the thing on 🙂
A shaped green silk sash/belt completed the look.
On the day, since we were invited to the wedding too ( yay!) I arrived early to help Sophie dress…
and once we were ready, the fun could begin…..
The wedding was a truly amazing day – relaxed, full of love, laughter and happiness, with great company, excellent food , moving speeches, and, needless to say, fantastic music…
Pictures below by Pitcheresque Imagery – Lucas was providing a back up photography on the day, a few more snaps here..
It also turned out that Sophie had all of the important three from us too – something blue ( flossing), something old ( antique petticoat) and something borrowed ( the petticoat – and my own bridal veil).
Lovely natural make up by Sarah’s doo-wop-dos
all together – a fantastic day was had by all – congratulations to Sophie and Chris!